Yamaha EMX212S Powered Mixer and BR12 Speakers Bundle. EMX212S Powered Mixer Integrated Solutions for Superior Live Sound
Experienced musicians, performers, speakers, and club operators know the
importance of a high-quality sound system with the right features and
performance to deliver their sound. Where portability and convenience are
important criteria, a system based on a high-performance Yamaha EMXseries
powered mixer is definitely the way to go. In one integrated, portable unit you
have a mixer to combine and balance your microphone, instrument, and line
sources, effects to refine and polish your sound, and power to drive the main
speakers and even monitor speakers as well. But that's nowhere near the whole
story - Yamaha EMX-series Powered Mixers offer a range of features that let you
mix, process, and deliver your sound with maximum quality and creative control
... and, of course, that unrivalled Yamaha sound.
Features For Superior Sound and Convenience Great Yamaha Sound
Yamaha is a leader in the field of professional live sound for a very good
reason: we deliver the sound and performance that the pros demand. The
EMX-series powered mixers are no exception. They're built at the same standards
of sonic performance and rugged reliability that makes Yamaha the first choice
for live sound applications from schools to stadiums around the globe.
SPX Digital Effects
The EMX212S, EMX312SC, and EMX512SC all feature a selection of 16 top-quality
Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even
distortion - that can add the final touch to your live presentation. Yamaha SPX
digital effects are widely recognized as being some of the finest available, and
the effects provided in the EMX mixers live up to that reputation.
Built-in Graphic EQ
Graphic equalizers are provided for both the main and monitor channels, so
you can effectively control feedback or tailor the sound to match the room and
program material.
Stand-by Mode
When you're done with a set simply engage the stand-by mode to mute all mono
channels while leaving the 2-track inputs active for background music playback
while you're taking your break.
Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the
corresponding channel goes into feedback, so you won't have to fumble around
searching for the channel that needs adjustment.
12 Inputs
All three mixers in this series offer a total of 12 input channels - four for
monaural microphone (incl. Phantom Power) or line input, plus four pairs that
can function either as monaural microphone inputs or stereo line inputs -
providing you with a versatile mix of input capabilities for a wide range of
applications. If you need only microphone inputs you can use up to eight mic
channels. Or if, for example, you want to play recorded background music during
breaks (that's one stereo channel), and you have a keyboard player with a
stereo-output keyboard (that's one more stereo channel), you still have six mic/line
inputs. If you use all four stereo pairs to handle stereo line sources you have
four channels available for mono mic or line input. This is a very versatile
system that can adapt to your needs.
High Power For Main and Monitor Speakers
These powered mixers certainly don't skimp on power. From the EMX212S with
200 watts per channel to the EMX512SC with a solid 500 watts per channel,
there's a power configuration to suit any application and venue. All models also
feature a power mode switch that lets you use the two power channels as a stereo
amplifier, or you can use one of the channels for the main speaker(s) and the
other to drive monitors with a separate monitor mix set up via the channel
MONITOR controls.
Yamaha Speaker Processing
Yamaha Club-series speakers are fine performers in their own right, but with
Yamaha Speaker Processing you get extra-smooth highs and enhanced low-frequency
output.
Yamaha BR12 12" 2-Way Speaker
The new BR-Series from Yamaha combines affordability with high
performance.
Five BR models are designed to fit the budgets of performing musicians, small
churches, and schools, while delivering the full frequency response and high
output of more costly systems. Although their "BR" prefix was chosen to
represent "bass reflex," it also proves very appropriate for describing the
line's advanced feature set...
Built Right...Combining our knowledge of acoustics and advanced
computer controlled woodworking, Yamaha crafts the BR line of sound
reinforcement loudspeakers for both great sound and affordability. High power
woofers provide amazing punch, and a pure titanium 1" compression driver assures
excellent high frequency performance. Each model's large steel handles, corner
protectors, and built-in pole sockets, assure both durability and flexibility.
Better Response...BR cabinets are carefully designed for the best
balance of small, easy to handle size and great low-frequency response, using
Bass Reflex technology. High-frequency response is also enhanced with
a new titanium HF driver and 90° by 40° non-resonant horn.
Best Reliability...All BR-Series models are covered by a
three-year warranty. With integral protection circuitry built into the passive
crossover, you can expect a long life of high output and minimal distortion.
Whichever model you choose, your message is sure to be heard using BR-Series
loudspeakers...and you can take the savings to the bank!
HORN - A large non-resonant, constant-directivity horn provides even 90° x 40° high-frequency dispersion.
CORNERS - Steel corner protectors keep your cabinets free from dings and damage associated with frequent transport.
HANDLES - Large metal handles mounted at each cabinet's center of gravity make them very easy to carry.
POLE SOCKET - All models, including the monitors, come with stand/pole sockets for flexibility of use.
Features:
- 12" (30cm) High Power Woofer
- 1" (25mm) Pure Titanium Compression Driver
- 97 dB Sensitivity
- Strong Steel Handle
- Stand/pole socket
- 300 Watt Program/ 600 Watt Peak Power Handling
Specifications: Yamaha BR12
| GENERAL SPECIFICATIONS
|
| Woofer |
12" |
Tweeter
(diaphragm) |
1" titanium |
Frequency
Response
(-10dB) |
65Hz-20kHz |
Power
Handling
(noise*/program/peak) |
150/300/600 |
Nominal
Impedance |
8 ohms |
Nominal
Dispersion |
90° H x 40° V C.D. |
Sensitivity
1W, 1m |
97dB |
Input
Connectors |
2 x 1/4" Phone |
Dimensions
(Approximate) |
W |
15 3/4" |
| H |
22 1/2" |
| D |
13 1/4" |
| Weight
(lbs) |
35.2 |
| * (EIA RS426) |
Yamaha EMX212S
GENERAL SPECIFICATIONS
|
Maximum Output Power
@ 0.5 % THD at 1 kHz |
220 W/4 Ω
130 W/8 Ω |
| Frequency Response |
-3, 0, 1 dB
20 Hz-20 kHz, ref to the nominal output level @ 1 kHz |
| Total Harmonic Distortion |
Less than 0.5 % (THD+N)
+14 dB @ 20 Hz, 1 kHz, 20 kHz, GAIN control: all nominal |
| Hum & Noise*1 |
Equivalent Input Noise, -115 dBu, Rs = 150 Ω CH
1-4 MIC/LINE: MIC |
| Crosstalk @ 1 kHz |
-65 dB |
| Input Connectors |
CH 1-4: XLR and Phone
CH 5/6, 7/8: XLR and Phone
CH 9/10, 11/12: XLR and Pin |
| EQ |
HIGH, MID, LOW |
| Phantom Power |
15 V |
| Graphic Equalizer |
7 Band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz):
Main (Stereo) and Monitor |
| Digital Effects |
SPX Digital Multi Effector (24 bit AD/DA, 32 bit
Internal Processing): 16 Programs |
| Power Amp. Mode |
Main L/R, Main (L+R)/Monitor |
| Foot Switch |
Effect On/Off |
| Dimensions (W x D x H) |
442 x 274 x 286 mm (17-3/8" x 10-3/4" x 11-1/4") |
| Weight |
10 kg (22 lbs.) |
| *1 - Hum & Noise are measured with a 6 dB/octave filter @
12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
|
|
INPUT CHARACTERISTICS |
| Power Requirements/Consumption
|
U/C: 120 V 60 Hz, 270 W |
| Input Terminals |
MIC/LINE |
Actual
Load
Impedance |
For
Use With
Nominal |
Input level |
| Sensitivity *2 |
Position |
Max. before
clip |
| CH INPUT 1-4 |
XLR
*3 |
MIC |
2 kΩ |
50-600 Ω Mics |
-60 dBu
(0.69 mV) |
-35 dBu
(13.8 mV) |
-15 dBu
(138 mV) |
| LINE |
-30 dBu
(21.8 mV) |
-5 dBu
(436 mV) |
+15 dBu
(4.36 V) |
Phone
*4 |
MIC |
6 KΩ |
600 Ω |
-50 dBu
(2.18 mV) |
-25 dBu
(43.6 mV) |
-5 dBu
(436 mV) |
| LINE |
-20 dBu
(69.0 mV) |
+5 dBu
(1.38 V) |
+25 dBu
(13.8 V) |
| CH INPUT
5/6, 7/8 |
XLR
*3 |
- |
2 kΩ |
50-600 Ω Mics |
-60 dBu
(0.69 mV) |
-35 dBu
(13.8 mV) |
-15 dBu
(138 mV) |
Phone
*5 |
- |
10 KΩ |
600 Ω Lines |
-20 dBu
(69.0 mV) |
+5 dBu
(1.38 V) |
+25 dBu
(13.8 V) |
| CH INPUT
9/10, 11/12 |
XLR
*3 |
- |
2 kΩ |
50-600 Ω Mics |
-60 dBu
(0.69 mV) |
-35 dBu
(13.8 mV) |
-15 dBu
(138 mV) |
RCA
Pin |
- |
10 KΩ |
600 Ω Lines |
-20 dBu
(69.0 mV) |
+5 dBu
(1.38 V) |
+25 dBu
(13.8 V) |
*1 - 0 dBu is referenced to 0.775 Vrms.
*2 - Sensitivity is the lowest level that will produce an output of +4 dB
(1.23 V), or the nominal output level when the unit is set to maximum level.
(All level controls are at
maximum position.)
*3 - XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*4 - Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*5 - Phone Jacks are unbalanced. |
OUTPUT CHARACTERISTICS
|
| Output Terminals |
Actual Source
Impedance |
For Use With
Nominal |
Output level |
Connector |
| Nominal |
Max. before clip |
| SPEAKER OUT |
0.1 Ω |
4 Ω Speakers |
50 W |
200 W |
|
| MAIN OUT [L, R] |
600 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone Jack *2 |
| EFFECT OUT |
600 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone Jack *2 |
| MONITOR OUT |
600 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone Jack *2 |
| REC OUT [L, R] |
600 Ω |
10 kΩ Lines |
-10 dBV (316 mV) |
+10 dBV (3.16 V) |
RCA Pin Jack |
*1 - 0 dBu is referenced to 0.775 Vrms. 0 dBV is
referenced to 1 Vrms.
*2 - Phone Jacks are unbalanced. |
|
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